Monthly Archives: February 2018

Vote for us to win the FEDORA Prize

We are pleased to announce our membership of the new FEDORA Platform, a collection of 18 other European organisations committed to showcasing innovative ballet and opera projects.

As a platform member we are lucky enough to have access to funds provided by the European Commission’s Creative Europe fund. This year we have been shortlisted for the FEDORA – VAN CLEEF & ARPELS Prize for Ballet for our new commission, William Forsythe’s A Quiet Evening of Dance.

In order to make sure this commission is considered for funding by the jury, we need your help! Please follow the link below to vote.

VOTE FOR US!

Thank you.

Image: Sadler’s Wells Artistic Director and Chief Executive Alistair Spalding announces our membership of the FEDORA Platform

Our family of associates is growing!

Artists are the lifeblood of Sadler’s Wells. Our productions and our theatre wouldn’t exist without them. Today, we are delighted to announce new additions to the Sadler’s Wells family.

Sharon Eyal becomes our newest Sadler’s Wells’ Associate Artist. One of the most original choreographic voices in contemporary dance, Sharon made her Sadler’s Wells debut with OCD Love in 2016, which received critical and public acclaim. There are four opportunities to see her work this year: her piece Bill is part of Ballet British Columbia’s triple bill in March.; the world premiere of her work as Guest Artistic Director of NYDC, Used To Be Blonde, is in April; Love Chapter 2, her latest production for her company L-E-V, has its UK premiere in July; and her piece Killer Pig is part of Rambert 2’s programme in November.

Speaking about her appointment, Sharon said: “L-E-V’s last two creations were co-produced with Sadler’s Wells, which was a fantastic vote of confidence from the theatre. This year, as well as bringing Love Chapter 2 here in July, another fortune has been bestowed on me by Sadler’s Wells – working with the National Youth Dance Company. I’m known as an emotional person – but working with those young people brought me to a new level of emotion, fulfillment and a genuine sense of purpose. L-E-V means heart in Hebrew – and this project shows what a big heart Sadler’s Wells has. So it’s with great honour and excitement that I receive this appointment of Associate Artist. For me, Sadler’s Wells was always one of the dance summits – now I’m privileged to reach and be part of it.”

We are committed to supporting artists at every stage of their career and to nurturing the pipeline of future talent. This encompasses the promising young performers in the National Youth Dance Company, early career artists consolidating their work in our Lilian Baylis Studio, our New Wave Associates and our more established Associate Artists. However, we have identified the need for more support to be given to those at the very outset of their dance-making careers, those who have just left higher education with a desire to establish their choreographic voices early on. So we have launched a new initiative, the Young Associates programme, supporting talented young people aged between 18 and 24, and providing a crucial first step into their career as choreographers.

The first Young Associates are: Anthony Matsena, Wilhelmina Ojanen, Ruby Portus and Christopher Thomas. We are supporting them in a variety of ways, including with production time in our studios and theatres, providing advice and networking opportunities. The Young Associates present a mixed bill of work later this year in the Lilian Baylis Studio.

Image: Anthony Matsena, Christopher Thomas, Ruby Portus and Wilhelmina Ojanen

We have also appointed three more artists as New Wave AssociatesJulie Cunningham, Project O and L’Atisse Rhoden. Julie Cunningham recently launched her own company after 15 years of dancing with the iconic Merce Cunningham Dance Company and Michael Clark Company. Her work employs text and movement, and is concerned with gender identity. Project O is a collaboration between artists Alexandrina Hemsley and Jamila Johnson-Small. Their work explores the body as a site of politics, considering the impact of colonial history in the UK today. L’Atisse Rhoden comes from the hip hop dance theatre community. Introduced to us by our Breakin’ Convention team, she trained with dance companies Avant Garde Dance and Botis Seva’s Far From the Norm. A solo artist and director of the female collective 25, her work is heavily influenced by surrealism.

Image: Julie Cunningham, L’Atisse Rhoden, and Project O’s Alexandrina Hemsley and Jamila Johnson-Small

Alistair Spalding, Sadler’s Wells Artistic Director and Chief Executive, said: “Supporting artists and their creative journeys is at the very heart of what we do. I’m delighted to welcome a new collection of artists to our stable today, marking our commitment to long-term investment in artists at every stage, from fledgling choreographer, to the emerging, mid-scale and the most established artists. It is absolutely fitting that in our 20th anniversary year, we look to the future with our Young Associates initiative, addressing the need for more support to be given to those at the very outset of their dance making careers.”

We are thrilled to welcome these artists to our associates’ family and look forward to seeing their work on our stages soon!

20 commissions for 20 years

2018 marks the 20th anniversary of Sadler’s Wells’ present building. Erected on the same spot where entrepreneur Richard Sadler first established a ‘musick house’ on the site of a mineral spring in 1683, the current theatre, purpose-built for dance, opened in October 1998.

A lot has changed since then, but we are very proud that two things have stayed the same: our determination to work with exceptional artists and our commitment to reaching an ever wider audience through what we do.

Today, Sadler’s Wells is the UK’s national dance house and a large portion of our programme each season is made up of works we have commissioned, produced or co-produced, mainly with our associate artists and companies. What better way to celebrate, then, that commissioning 20 new works for our stages? They include Reckonings, a special triple bill premiering in our anniversary week in October, featuring pieces by three distinct choreographic voices who are creating work for our main stage for the first time: Julie Cunningham, Alesandra Seutin and Botis Seva.

Our 20 commissions also look back at our longstanding relationships with established artists. These include: two new works in William Forsythe’s first full-length programme since his company closed in 2015; the UK premiere of Mark Morris’ acclaimed Layla and Majnun; a new mixed programme created for ballerina Natalia Osipova; and our Associate Artist Akram Khan’s final full-length solo production, XENOS. We also commissioned our newest Associate Artist, Sharon Eyal, to create work for National Youth Dance Company as their Guest Artistic Director for 2018.

Developing dance for and by young people continues to be a priority. We have commissioned two new works for families – balletLORENT’s Rumpelstiltskin and upsidedowninsideout, an immersive, site-specific journey for families. We also launch our inaugural Young Associates programme, designed to nurture young choreographic talent aged 18 to 24, giving them a platform to create new work.

The full list of commissions is:

National Youth Dance Company/ Sharon Eyal
Used to be Blonde

 

balletLORENT

Rumpelstiltskin

 

one step at a time like this

upside down inside out

 

Breakin’ Convention 2018

Jazz Refreshed

 

Cloud Gate Dance Theatre of Taiwan

Formosa

 

Akram Khan Company

XENOS

 

Company of Elders

Mixed Bill

 

Natalia Osipova

Pure Dance

 

William Forsythe

A Quiet Evening of Dance

 

Young Associates

Mixed Bill

 

Julie Cunningham/ Alesandra Seutin/ Botis Seva

Reckonings

 

Jasmin Vardimon Company

New Work

 

Mark Morris Dance Group

Layla & Majnun

 

Nitin Sawhney & Wang Ramirez

Dystopian Dream

 

Sidi Larbi Cherkaoui & Antony Gormley

Icon

 

Rambert 2

Mixed Bill

 

Jefta van Dinther

Dark Field Analysis

 

Eva Recacha

New Work

 

Mavin Khoo

From Man to Monk – Part 1

 

Wilkie Branson

TOM

 

We would like to thank The Monument Trust for their generous support of our new commissions.

American Express renews support of Sampled

We are delighted to announce that the American Express Foundation has renewed their commitment to Sadler’s Wells, with a grant supporting our Sampled festival for the next two years.

American Express are long-term partners of Sadler’s Wells. Their ongoing support of Sampled ensures we can continue to give audiences the chance to experience a wide range of world-class dance at an accessible price. It is also enabling us to deliver two new engagement programmes for school children and members of our local community, as part of this year’s festival.

Robert Glick, Vice President of Corporate Communications & Head of International Government Affairs at American Express said, “At American Express we are thrilled to continue our support of Sadler’s Wells. We believe that access to world class dance should be without barriers and remain proud of our association with an organisation which works continuously to encourage all to experience the joy of live performance.”

Sadler’s Wells relies on contributions from individuals and partner organisations to help us reach new audiences and continue to transform lives through dance, and this renewed support from American Express is a valued part of our family of supporters.