What’s on
15 THINGS YOU DIDN’T KNOW ABOUT FLAMENCO
This year’s hotly anticipated Flamenco Festival, back for the first time since 2019, celebrates rising stars and Flamenco →
OUR RE-OPENING YEAR WAS A ROLLERCOASTER!
One year ago today, Sadler’s Wells opened its doors again after lockdown. For many of us, art was →
WELL SEASONED, CELEBRATING BLACK DANCE
Happy 2022! We’re extremely excited for this year at Sadler’s Wells, where we continue to showcase wonderful projects →
When the world stopped, the dance continued
A beach of white sand. A girl lying on a red cloth. This is the way in which audiences get their first glimpse of Dancing at Dusk. →
“REASSURING. COMFORTABLE. OPEN. NEEDED”: HIP HOP ARTIST JOURNEYS BACK TO THE LAB
Ahead of Back To The Lab’s final sharing in our Lilian Baylis Studio on 25 January, we speak to artist Nathan Lafayette about his creative journey on Breakin’ Convention’s artist development programme, tackling impostor syndrome and more. →
YOUTH DANCE PERFORMANCE MARKS START OF NORWICH CASTLE’S REDEVELOPMENT
National Youth Dance Company (NYDC) and hip hop theatre company Far From The Norm worked in partnership with Norwich Castle to create a public site-specific performance presenting their unique interpretation of the famous physiological reaction, fight or flight. →
Message In A Bottle: announcing the cast and creatives
An exceptional cast of dancers and a multi-award winning creative team come together for Message In A Bottle, the hotly anticipated new dance theatre show by Sadler’s Wells Associate Artist Kate Prince, set to the music of 17-time Grammy Award-winning artist Sting. A Sadler’s Wells and Universal Music UK production, Message In A Bottle receives its →
Ivan Blackstock: “Hip hop artists are in a constant rush. This is an opportunity to experience an actual creative process.”
We speak to hip hop choreographer and Open Art Surgery mentor Ivan Blackstock, delving into a day in the life of Breakin’ Convention’s artist development programme. →
Giselle: Three Ways to Restage a Classic
With ghosts, heartbreak, tragedy and a female heroine at the centre, Giselle was unlike anything that audiences had →
“Each piece is like one side of a coin”: Young Associates on Together, not the same
We speak to our Young Associates Christopher Thomas and Ruby Portus about the creative journey behind the production, their personal development on the programme and what the future holds as they continue in their dance-making careers. →