Arts Council England

CELEBRATING EARTH DAY

Today is Earth Day! We wanted to mark this day by sharing our sustainability mission and goals.  

Earth Day is an annual event which marks the anniversary of the birth of the modern environmental movement in 1970, to demonstrate support for environmental protection.  

Sadler’s Wells takes part in Earth Day and Earth Hour yearly and is as an important part of our commitment to work towards a greener future.  

Earth Hour is a symbolic lights out event organised by WWF, uniting individuals, schools, businesses, landmarks and public building across the globe, to focus attention on protecting the planet. 

Each year, we switch off all external lights, including architectural lighting of the building and signage, between 8:30 pm and 9:30 pm. Joining Earth Hour is one of many initiatives undertaken by Sadler’s Wells in a drive to increase the sustainability of the building and its operations. We are committed to reducing our energy demand, CO2 emissions and waste consumption across all departments.  

This is How You Will Disappear by Gisele Vienne stage set; putting nature centre stage. © Lucy Colomb.

Sustainability at Sadler’s Wells 

Sadler’s Wells stages dance productions in the UK and around the world, and we acknowledge our responsibility as a cultural leader in the arts. We proactively address the challenges set by our activities and have a targeted action plan that frames all aspects of our work. 

Our sustainability policy aims are to continue to improve current environmental performance by reducing the impact of our activities on the environment, as well as educating and increasing environmental awareness amongst colleagues and audiences to promote sustainability. 

Q&A with Sadler’s Wells Director of Visitor Experience & leader of the Green Team

We spoke to Howard Clark; Director of Visitor Experience & leader of the Green Team on all the ways in which Sadler’s Wells is acting sustainably and why it’s so important:  

Why is sustainability important to Sadler’s Wells? 

Howard: As a cultural leader in the arts, we have a responsibility to be as sustainable as possible and to support the awareness of climate change in the sector. We have an environmental policy which is supported by an action plan and set against KPIs, and we review this annually. We are constantly making improvements across the organisation.  

Why does Sadler’s Wells celebrate Earth Day? 

Howard: We play a major part within an international community and recognise the need for global change. There has a been a great shift in the last few years on more awareness of climate change and we need to demonstrate how we are making improvements, especially as we have a new venue opening in 2023. There will be more impact on our environmental footprint, so we realise we need to strive to keep this footprint as low as possible. Earth Day is a moment for us to demonstrate our commitments and to raise awareness on a wider scale.  

What are some of the ways Sadler’s Wells is being sustainable?  

Howard: We commit to environmental practice every day. We have made changes to certain sustainability elements of the organisation, for example, reducing the use of single use plastics and we use recyclable materials in print programmes. Also, when you come to Sadler’s Wells, if you use our toilets, then we use the borehole underneath Sadler’s Wells to supply our water to these and support our temperature control. We have a procurement policy which supports our purchasing processes and sourcing strategies, and we aim to work with companies and organisations that follow good environmental practices.  

What is Sadler’s Wells’ long-term sustainability goal?  

Howard: Ultimately, we would like to be a net zero organisation, but we recognise this is a journey. It all comes down to the improvements we make for the long-term. By educating colleagues, visitors and artists, we allow this journey to be bigger than just the organisation and we truly believe this is the way we can reach our long-term goals. We have made great sustainable changes already, but we need to keep moving forward and thinking about the next steps.  

What are you most proud of in this journey? 

Howard: The strides we’ve made, especially since the pandemic. We have been forward thinking about the organisation, as well as the community and this is something to be proud of. We have been awarded for our work, for example, our five-star Creative Green rating for environmental best practice and we have made long-term connections in the industry, with organisations who are on the same journey. Together we can all make a change.  

Ways We Are Acting Sustainably 

We’re working towards net zero greenhouse gas emissions by 2050 and have a commitment in place to keep us focused. Our dedicated Green Team make sure we keep improving and they are always looking for more ways we can reduce our impact on the environment. 

Our theatres 

  • We use plastic reusable cups in our bars instead of single-use plastic and encourage performers to use water fountains backstage rather than providing bottled water 
  • All our packaging is biodegradable, and plant based 
  • We use the borehole underneath Sadler’s Wells to supply our sinks, toilets, and temperature control 
  • We use LED lights throughout our foyer spaces, the theatre auditorium, and backstage areas 
  • We use renewable sources to generate 100% of our electricity 
  • Our solar panels produce an average of around 17,000 kilowatt hours per year – enough to power two family homes for a year 

Our activities 

  • We take part in the Earth Hour campaign every year, by switching off our external lights  
  • We’ve developed Green Riders for visiting companies and our touring productions 
  • We’re part of the Spotlight Programme – 29 cultural institutions working across England to drive down the environmental impacts of our activities 
  • We reduce the amount of paper we use with a paperless invoicing system 

A few things we’re proud of 

  • Being part of the UK’s commitment to the Paris Agreement 
  • Our five-star Creative Green rating for environmental best practice 
  • Being a member of the Islington Sustainable Energy Partnership 
  • Our 5/5 rating in the Creative Green certification by Julie’s Bicycle 
Sadler’s Wells Reusable Cup.

Colleague Sunflower Campaign

Our Green Team invited colleagues to take part in the Sadler’s Wells Sunflower Challenge throughout April and grow a sunflower to mark Earth Day. We wanted to raise more awareness on environmental matters among colleagues and chose a sunflower growing competition, that is fun and sets some challenges amongst our teams. The centre of a sunflower is made of lots of little flowers and the seeds can be harvested and eaten after the sunflower has grown. The sunflower is also the national flower of Ukraine, where we share our support. The competition winner for the tallest sunflower wins gardening vouchers! 

The campaign has been a great initiative and colleagues have been able to get involved in Earth Day by planting their own sunflowers. Some colleagues have enjoyed getting their children involved in watering and looking after the flower too, so it has allowed the awareness to go beyond just colleagues and Sadler’s Wells Theatre’s, but into their homes too! 

Shama Rowland’s Sunflower. 

Arts Council England Report 

Arts Council England remains committed to delivering on Environmental Responsibility, as set out in its 10-year strategy, Let’s Create. Sadler’s Wells is proud to be a contributor to this year’s Arts Council England Environmental Responsibility annual report, in partnership with Julie’s Bicycle. This report marks 10 years of collaboration between Arts Council England and Julie’s Bicycles, within the arts & culture sector.  

The latest annual report shows how arts & culture organisations continued to innovate, to reduce environmental impact, especially during the Covid-19 pandemic.   

Arts Council England continues to support organisations whilst navigating out of the pandemic, towards a ‘green’ recovery and to ensure a sustainable future for the creative sector. 

Arts Council England and Julie’s Bicycle: What can culture do to meet the climate challenge?

As a cultural organisation, we embrace the role we play in the conversation around climate change and are fully aligned with the UK’s commitment to the Paris Agreement. We will continue to work on our sustainability mission and be an advocate for sustainable creative organisations.  

BREAKIN’ CONVENTION TO STRENGTHEN HIP HOP SECTOR WITH NATIONAL PROGRAMME

Sadler’s Wells Breakin’ Convention is set to deliver a three-year national programme to strengthen the hip hop sector thanks to a grant from Arts Council England.

Sadler’s Wells has been awarded £630,660 as part of the Arts Council’s National Lottery Project Grants funding programme. Using this funding, our Breakin’ Convention team will continue to build on the learnings and legacy of 16 years of successful hip hop theatre development with an ambitious new programme, Breakin’ Out.

Breakin’ Out will encompass three distinct and connected strands: Grass Routes partnerships, artist development and performance.

Grass Routes partnerships

This will see a new area of engagement for Breakin’ Convention. The programme will reinforce the national hip hop network by fostering relationships between hip hop artists and cultural institutions. Joining forces with six national practitioners – two each year – Breakin’ Out will deliver high-quality training at a local level, including youth projects, masterclasses and teacher training, as well as providing mentorship in organisational development. The first year partners will be with Dance4All in Bournemouth and Bad Taste Cru in Gateshead.

Breakin’ Convention Park Jam. Image: Paul Hampartsoumian

Artist Development

With no formalised training currently existing for hip hop artists in the UK, Breakin’ Out will provide a variety of progression routes at different points in their artistic journeys, giving more people access to hip hop at entry level and forging pathways into the sector. Breakin’ Convention will deliver its successful Open Art Surgery professional development project around the country, offering participants the opportunity to learn under different mentors and perform locally and nationally. Artists will also be offered bespoke ‘Higher Learning’ training days, focused on theatre practice.

Open Art Surgery. Image: Owen Ling

Nurturing the development of artists represents an integral part of the programme in the lead up to the opening of the UK’s first hip hop theatre academy, part of Sadler’s Wells’ additional, mid-scale venue to open in east London in 2022. The new theatre will be part of new cultural and education district East Bank, in Stratford’s Queen Elizabeth Olympic Park.

Performances

Breakin’ Out will reach out to wide and diverse audiences through two large-scale Breakin’ Convention national tours, engaging over 1000 UK artists and featuring 34 national performances. The festival will tour to cities including Norwich, Blackpool, Sheffield, Doncaster, Canterbury, Brighton, Plymouth, Poole and Birmingham in spring 2020 and 2022.  

Phase T (France) at Breakin’ Convention 2010. Image: Belinda Lawley

Alistair Spalding, Artistic Director and Chief Executive of Sadler’s Wells, said: “We’re absolutely delighted that, through the Arts Council’s support, over the next three years the programme will engage over a thousand artists and large audiences across the country, strengthening the UK infrastructure for hip hop and widening its reach.”

Jonzi D, Sadler’s Wells’ Associate Artist and artistic director of Breakin’ Convention, commented: “Breakin’ Convention has been a catalyst in the exposure and development of hip hop in the theatre. A hunger from artists and audiences has been created! We have a responsibility to continue supporting hip hop culture and this funding will enable us to strengthen the sector, and to prepare for the opening of Sadler’s Wells’ hip hop theatre academy in 2022.”

Breakin’ Convention Presents

Yaman Okur 1mm Au Dessus Du Sol. Image: Ragbui

After introducing audiences to the work of artist Pierre Rigale by presenting his work Scandale in 2018, Breakin’ Convention Presents returns with 1mm Au Dessus Du Sol (1mm above the floor), a collaboration between French choreographers Yaman Okur and Sébastien Lefrançois.

Curated by Sadler’s Wells’ Associate Artist Jonzi D, the initiative provides a platform for the finest hip hop theatre makers to showcase a full-length work on our stage, as well as welcoming creations by contemporary choreographers working with street dance forms. Breakin’ Convention Presents: Yaman Okur and Jean-Philippe Collard-Neven’s 1mm Au Dessus Du Sol is at Sadler’s Wells’ Lilian Baylis Studio on 27 and 28 September 2019.

What happens when fashion meets dance

Sadler’s Wells’ production Gravity Fatigue, created by designer Hussein Chalayan in collaboration with choreographer Damien Jalet in 2015, is featured in a brand new video exploring what happens when fashion and dance meet.

The video has been released as part of Arts Council England’s digital initiative Canvas, which  aims to engage new and young audiences with the arts by bringing them videos on exciting cultural projects each week.

You can watch the video here.

 

Photo: Hugo Glendinning.

Sadler’s Wells, The Lowry and Birmingham Hippodrome form new partnership

Sadler’s Wells, The Lowry and Birmingham Hippodrome have joined forces in a new collaborative producing partnership, supported by an Arts Council England’s Ambition for Excellence fund, to develop and deliver an ambitious programme of high-quality large-scale dance. The Movement is a dynamic partnership among three of the country’s leading dance venues. ugg pas cher Through a two-year pilot initiative that has been awarded a grant of £749,948, the partners aim to nurture dance talent and reach and develop new audiences for dance through a programme of work that will be co-produced by the three venues. chaussure timberland femme The Movement launches at Birmingham Hippodrome on 17 and 18 May with Dance: Sampled, the first production to be presented under the auspices of the partnership, as part of the International Dance Festival Birmingham 2016. ugg classic Dance: Sampled is inspired by the popular Sampled format first pioneered by Sadler’s Wells, which offers audiences a taster selection of different dance styles all in one programme. The production will then run for two nights at The Lowry in February 2017. timberland roll top pas cher The line-up includes Company Wayne McGregor, Birmingham Royal Ballet, BBC Young Dancer finalist Vidya Patel, world tango champions German Cornejo and Gisela Galeassi from Buenos Aires, French hip hop company Pockemon Crew and Faun, by Sadler’s Wells’ Associate Artist Sidi Larbi Cherkaoui. “We have been working with The Lowry and Birmingham Hippodrome for a number of years,” said Alistair Spalding, Sadler’s Wells’ Artistic Director and Chief Executive.

Breakin’ Convention and ZooNation awarded £1m to tour the UK

Sadler’s Wells’ international festival of hip hop dance theatre Breakin’ Convention and ZooNation Dance Company, one of Sadler’s Wells’ resident companies, have together been awarded over £1 million in funding by the Arts Council.

They are among 13 organisations who will receive a total of over £4.8 million from Arts Council England as part of its Strategic Touring Programme, enabling them to tour throughout the UK over the next two years. The funding shows a substantial investment in developing audiences for hip hop dance.

Alistair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, said:“There is no underestimating the growth hip hop as a dance style has been experiencing in recent years, exploding from the streets onto the stage, but also on TV and through fashion and advertising. Its enormous success stems from its ‘each one teach one’ approach to knowledge-sharing and its ability to continuously evolve and develop a highly original vocabulary – a language that is dynamic and current, and speaks to ever increasing numbers of young people.

In the last 12 years, Breakin’ Convention has established itself as a world leader in hip hop dance theatre through its annual international festival at Sadler’ Wells. ZooNation has also been championing the development of hip hop through productions characterised by inventive and captivating storytelling, such as Into the Hoods and Some Like It Hip Hop.”

He continued: “It is great news that the Arts Council has chosen to invest in these projects through their Strategic Touring Fund, which will enable Breakin’ Convention and ZooNation to tour their high-quality work to a number of venues across the UK over the next two years, giving audiences outside London the opportunity to experience hip hop dance theatre, as well as to hopefully discover the next generation of hip hop artists.”

Welcoming the grant, Sadler’s Wells’ Associate Artist and Breakin’ Convention’s Artistic Director Jonzi D said: “This is excellent news for the sector. It allows Breakin’ Convention to support the professional development of hip hop dance theatre even further, providing skills, knowledge and platforms for the plethora of emerging dance crews following in the footsteps of ZooNation, Boy Blue, Southpaw and Birdgang. The lyrical dexterity of UK emcees will now have a space to develop theatrical devices within our Moving Rap workshop strand. Arts Council England has shown commitment to the creative phenomenon that is Hip Hop culture, at a time when peace, love, unity, and fun is much needed.”

Breakin’ Convention has been awarded £562,783 for a two-year project that will see the festival tour throughout May 2016 and May 2017, programming over 400 local artists per tour to perform alongside international artists. The touring activity will be complemented by a professional development programme, pairing up artists and future hip hop programmers. There will be a new spoken word professional development strand entitled Moving Rap and a continuation of the film-makers mentorship programme.

Launched by Sadler’s Wells in 2004 and hosted and curated by Jonzi D, Breakin’ Convention features performances from diverse UK and international companies each year. The festival also sees Sadler’s Wells’ foyer transformed into a performance space with live DJs, freestyle dance jams, graffiti exhibitions and workshops from top international artists.

ZooNation Dance Company has been awarded £499,471 to present a large-scale tour of Into the Hoods: Remixed, a newly revamped version of the award-winning production, throughout the UK from Spring 2016. Performances of the work at regional venues will build on the show’s track record of bringing more diverse and younger audiences into theatres, something that it successfully achieved during previous runs at Sadler’s Wells, the Edinburgh Fringe, Southbank Centre and in the West End between 2006 and 2010.

Into the Hoods became both the first ever hip hop dance show in the West End and the longest running dance show in the West End’s history, with a five month run at the Novello Theatre. The cast of Into the Hoods won the 2009 What’s On Stage Theatregoers’ Choice Award for Best Ensemble Performance. Under the direction of Sadler’s Wells’ Associate Artist Kate Prince, the much-loved show has been updated for 2015 with new choreography, a remixed soundtrack and new designs. Its first performances will take place at The Peacock from 23 October to 14 November, before the show embarks on national tour in spring 2016.

Into the Hoods: Remixed will act as the catalyst to deliver an audience development project, ZooResidence, across England, supporting and encouraging venues and their local partners to build audiences for hip hop dance theatre in new ways. It will include a series of projects for reaching thousands of young people, culminating in the creation of a piece to be performed as a pre-show curtain raiser for the production at each of the five partner venues.

In the production, ZooNation’s trademark narrative hip hop theatre style is used to tell the story of two children who get lost in the ‘hood’ and the surprising encounters and discoveries they make along their way, in what is a witty and humorous contemporary fairytale.

Kate Prince, Artistic Director of ZooNation Dance Company, said: “I think it is a really exciting and bold move for the Arts Council to make such a significant investment in developing audiences for hip hop dance theatre through these two major projects. The chance to work with venues more closely will really release the potential of our work to reach more people and connect new audiences to regional theatres”. 

She continued: “This investment of over £1 million pounds between ourselves and Breakin’ Convention also makes a statement about hip hop dance and its cultural importance and artistic currency. We are over the moon that the Arts Council is supporting us to take our work around the UK and to be part of developing hip hop dance nationwide.” 

Joyce Wilson, Area Director, London, Arts Council England, said: “We are delighted to be able to support Breakin’ Convention and ZooNation Dance Company through our Strategic touring programme; it is a clear illustration of the breadth and quality of work that we value and support. These tours will not only showcase some of the best hip hop dance theatre in the world, but also support the professional development of emerging hip hop dance talent and leaders across England.”

 

Image: Wanted Posse performing at Breakin’ Convention in 2014. Photo: Belinda Lawley

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