Sadler’s Wells’ Associate Artists Matthew Bourne and Christopher Wheeldon and Tamara Rojo, Artistic Director of Sadler’s Wells’ Associate Company English National Ballet, received a knighthood, an OBE and a CBE respectively as part of the 2016 New Year’s Honours list. Our warmest congratulations to all!
A new contemporary programme commissioned for Russian ballet star Natalia Osipova, horses and a multi-installation experience with no dancers all feature in Sadler’s Wells’ upcoming season.
The Spring/ Summer 2016 season was announced at our Annual Press Conference today. Here are some of the highlights.
Russian ballet star Natalia Osipova takes a leap into the world of contemporary dance in a triple bill specially commissioned for her, co-produced by Sadler’s Wells and Moscow’s Muz Art Management Company.
The production features choreography by Sidi Larbi Cherkaoui and Russell Maliphant, who are Associate Artists at Sadler’s Wells, as well as Arthur Pita. Dancer Sergei Polunin also appears in the programme.
In an unprecedented exploration of lighting, sound and projection, in June we turn our building inside out for the world premiere of No Body. This series of immersive, multi-sensory installation works will bring together the essential elements of a dance performance – without the physical presence of dancers.
Lighting designer and Sadler’s Wells Associate Artist Michael Hulls invites the audience onto the main stage to experience LightSpace, an immersive installation challenging our mood and senses. Composer Nitin Sawhney, also a Sadler’s Wells Associate Artist, creates a music, sound and animation trail, while lighting designer Lucy Carter presents pop-up installations in unusual spaces around our building.
In March, horses join dancers onto the Sadler’s Wells stage for the UK premiere of Golgota by French artist Bartabas.
The breath-taking work, featuring flamenco dancer Andrés Marín and dramatic Gregorian chants, is inspired by the theatricality of sacred rituals such as the Holy Week in Seville, Spain.
Other exciting highlights of the upcoming season include new work by Associate Artists Akram Khan, Crystal Pite and BalletBoyz, Associate Company English National Ballet, our New Wave Associate Alexander Whitley and circus company The 7 Fingers, as well as work by international companies Tanztheater Wuppertal Pina Bausch and Rosas. More details on the new season are available here
The Spring/ Summer 2016 season goes on sale at 10am on Monday 9 November. www.sadlerswells.com
Photo: Sadler’s Wells’ Chief Executive and Artistic Director Alistair Spalding (centre) with dancers Sergei Polunin and Natalia Osipova.
Sadler’s Wells’ Associate Artist Matthew Bourne is to be honoured at the UK Theatre Awards 2015 for his contribution to theatre.
The choreographer and Artistic Director of dance company New Adventures will receive the The Stage award for outstanding contribution to British theatre at a ceremony in London on 18 October. A five-time Olivier Award-winner and the only British director to have won a Tony Award for both Best Choreographer and Best Director of a Musical, Bourne is one of the most popular and successful choreographers working today.
Following a 14-year career as a professional dancer, he quickly established himself as an audience favourite with his endlessly inventive and witty versions of classical ballets, such as Nutcraker!, Swan Lake and Cinderella, as well as innovative productions like The Car Man and Edward Scissorhands.
Rachel Tackley, President of UK Theatre, said: “I am a huge fan of Matthew Bourne’s work which has been inspiring and thrilling audiences all over the UK and around the world for many years. I am delighted that his incredible contribution to our industry is being honoured at this year’s award ceremony. I can’t wait to see what he has planned next.”
New Adventures will perform Matthew Bourne’s Sleeping Beauty at Sadler’s Wells between 1 December and 24 January 2016. To book tickets, visit www.sadlerswells.com
Image: Matthew Bourne. Photo: Hugo Glendinning
Sadler’s Wells’ international festival of hip hop dance theatre Breakin’ Convention and ZooNation Dance Company, one of Sadler’s Wells’ resident companies, have together been awarded over £1 million in funding by the Arts Council.
They are among 13 organisations who will receive a total of over £4.8 million from Arts Council England as part of its Strategic Touring Programme, enabling them to tour throughout the UK over the next two years. The funding shows a substantial investment in developing audiences for hip hop dance.
Alistair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, said:“There is no underestimating the growth hip hop as a dance style has been experiencing in recent years, exploding from the streets onto the stage, but also on TV and through fashion and advertising. Its enormous success stems from its ‘each one teach one’ approach to knowledge-sharing and its ability to continuously evolve and develop a highly original vocabulary – a language that is dynamic and current, and speaks to ever increasing numbers of young people.
In the last 12 years, Breakin’ Convention has established itself as a world leader in hip hop dance theatre through its annual international festival at Sadler’ Wells. ZooNation has also been championing the development of hip hop through productions characterised by inventive and captivating storytelling, such as Into the Hoods and Some Like It Hip Hop.”
He continued: “It is great news that the Arts Council has chosen to invest in these projects through their Strategic Touring Fund, which will enable Breakin’ Convention and ZooNation to tour their high-quality work to a number of venues across the UK over the next two years, giving audiences outside London the opportunity to experience hip hop dance theatre, as well as to hopefully discover the next generation of hip hop artists.”
Welcoming the grant, Sadler’s Wells’ Associate Artist and Breakin’ Convention’s Artistic Director Jonzi D said: “This is excellent news for the sector. It allows Breakin’ Convention to support the professional development of hip hop dance theatre even further, providing skills, knowledge and platforms for the plethora of emerging dance crews following in the footsteps of ZooNation, Boy Blue, Southpaw and Birdgang. The lyrical dexterity of UK emcees will now have a space to develop theatrical devices within our Moving Rap workshop strand. Arts Council England has shown commitment to the creative phenomenon that is Hip Hop culture, at a time when peace, love, unity, and fun is much needed.”
Breakin’ Convention has been awarded £562,783 for a two-year project that will see the festival tour throughout May 2016 and May 2017, programming over 400 local artists per tour to perform alongside international artists. The touring activity will be complemented by a professional development programme, pairing up artists and future hip hop programmers. There will be a new spoken word professional development strand entitled Moving Rap and a continuation of the film-makers mentorship programme.
Launched by Sadler’s Wells in 2004 and hosted and curated by Jonzi D, Breakin’ Convention features performances from diverse UK and international companies each year. The festival also sees Sadler’s Wells’ foyer transformed into a performance space with live DJs, freestyle dance jams, graffiti exhibitions and workshops from top international artists.
ZooNation Dance Company has been awarded £499,471 to present a large-scale tour of Into the Hoods: Remixed, a newly revamped version of the award-winning production, throughout the UK from Spring 2016. Performances of the work at regional venues will build on the show’s track record of bringing more diverse and younger audiences into theatres, something that it successfully achieved during previous runs at Sadler’s Wells, the Edinburgh Fringe, Southbank Centre and in the West End between 2006 and 2010.
Into the Hoods became both the first ever hip hop dance show in the West End and the longest running dance show in the West End’s history, with a five month run at the Novello Theatre. The cast of Into the Hoods won the 2009 What’s On Stage Theatregoers’ Choice Award for Best Ensemble Performance. Under the direction of Sadler’s Wells’ Associate Artist Kate Prince, the much-loved show has been updated for 2015 with new choreography, a remixed soundtrack and new designs. Its first performances will take place at The Peacock from 23 October to 14 November, before the show embarks on national tour in spring 2016.
Into the Hoods: Remixed will act as the catalyst to deliver an audience development project, ZooResidence, across England, supporting and encouraging venues and their local partners to build audiences for hip hop dance theatre in new ways. It will include a series of projects for reaching thousands of young people, culminating in the creation of a piece to be performed as a pre-show curtain raiser for the production at each of the five partner venues.
In the production, ZooNation’s trademark narrative hip hop theatre style is used to tell the story of two children who get lost in the ‘hood’ and the surprising encounters and discoveries they make along their way, in what is a witty and humorous contemporary fairytale.
Kate Prince, Artistic Director of ZooNation Dance Company, said: “I think it is a really exciting and bold move for the Arts Council to make such a significant investment in developing audiences for hip hop dance theatre through these two major projects. The chance to work with venues more closely will really release the potential of our work to reach more people and connect new audiences to regional theatres”.
She continued: “This investment of over £1 million pounds between ourselves and Breakin’ Convention also makes a statement about hip hop dance and its cultural importance and artistic currency. We are over the moon that the Arts Council is supporting us to take our work around the UK and to be part of developing hip hop dance nationwide.”
Joyce Wilson, Area Director, London, Arts Council England, said: “We are delighted to be able to support Breakin’ Convention and ZooNation Dance Company through our Strategic touring programme; it is a clear illustration of the breadth and quality of work that we value and support. These tours will not only showcase some of the best hip hop dance theatre in the world, but also support the professional development of emerging hip hop dance talent and leaders across England.”
Image: Wanted Posse performing at Breakin’ Convention in 2014. Photo: Belinda Lawley
On 7 June 2015, two of Sadler’s Wells’ Associate Artists and its Associate Company celebrated winning prestigious awards at two separate ceremonies.
In London, English National Ballet collected the Dance award at the South Bank Sky Arts Awards 2015 for Lest We Forget, including choreographies by Liam Scarlett and Sadler’s Wells’ Associate Artists Akram Khan and Russell Maliphant. The company will bring the successful production to Sadler’s Wells in September.
The Award for Outstanding Achievement was bestowed on dancer Sylvie Guillem for her 35-year career, which has seen her shine in both classical ballets and modern works and, in the process, redefine what a female dancer can be.
In New York, Christopher Wheeldon received the award for best choreography for An American in Paris at the 2015 Tony Awards. The musical also won the awards for Scenic design, Lighting design and Orchestrations.
A few days earlier, on 1 June, Wheeldon had shared the Best Choreographer gong at the Astaire Awards with Joshua Bergasse of On the Town. At the same ceremony, Akram Khan won the Best Choreographer in a Feature Film category for Desert Dancer.
This award bonanza follows the success of Sylvie Guillem and Crystal Pite at the 2015 Laurence Olivier Awards in April – where Guillem was honoured with a special award and Pite won the Outstanding Achievement in Dance award for her choreography in A Picture of You Falling (as part of production The Associates), The Tempest Replica and Polaris (as part of Thomas Adès : See the Music, Hear the Dance) at Sadler’s Wells.
Congratulations to all artists on these much-deserved honours!
Image: English National Ballet performing Akram Khan’s Dust, part of Lest We Forget. Photography by ASH