An exceptional cast of dancers and a multi-award winning creative team come together for Message In A Bottle, the hotly anticipated new dance theatre show by Sadler’s Wells Associate Artist Kate Prince, set to the music of 17-time Grammy Award-winning artist Sting.
Message In A Bottle sees a village alive with joyous celebrations suddenly come under siege. In the chaos, three siblings, Leto, Mati and Tana are separated from their parents; they undertake a perilous journey to new lands and step out on their own extraordinary adventures.
Message In A Bottle is performed by an extraordinary ensemble of dancers from ZooNation: The Kate Prince Company. Lukas McFarlane, a winner of Sky 1’s Got to Dance, plays Leto; Tommy Franzen, who stars in the new Tom Hooper-directed CATS, is Mati; and Natasha Gooden – whose credits include Blak Whyte Gray with Boy Blue and Strictly Come Dancing – performs the role of Tana.
Joining them are Lizzie Gough, a finalist on So You Think You Can Dance and judge on CBBC’s Alesha’s Street Dance Stars; and Nafisah Baba, winner of BBC Young Dancer in 2017.
Making their ZooNation debut in this production are Samuel Baxter, Onyemachi Ejimofor, Anna Holmström, Emma ‘Shortbread’ Houston, Ajani Johnson-Goffe, Daniella May, Daniel Phung and Hannah Sandilands. Completing the company is Kino McHugh, Michael Naylor, Aaron Nuttall, Delano Spenrath,Annie Edwards, Nestor Garcia Gonzalez and Gavin L Vincent.
“I am so inspired by this incredible international company of ZooNation dancers. Their skill and ability is insane” explains Kate Prince. “The company has some of the best breakers and contemporary movers I’ve encountered during my 20 years of working in professional dance. Their dedication and discipline, agility, strength, stamina and their ability to tell stories through dance are both mind blowing and exhilarating. I feel very fortunate that I get to tell this very important story with them and to create movement with their fantastically talented and expressive bodies.”
The creative team
Message In A Bottle includes new musical arrangements by Alex Lacamoire, the celebrated Grammy and Tony Award-winning musical director known for his work on Hamilton (2016), In The Heights (2008), Dear Evan Hansen (2017), The Greatest Showman (2017), Fosse/Verdon (2019) and Carmen La Cubana (2016). Music production and additional arrangements for the show come from multi-Grammy Award winner Martin Terefe, who has written and produced for artists including Jason Mraz, Sean Mendes, KT Tunstall, Tom Odell and Train.
Message In A Bottle has set design by Ben Stones (MEN 2011 Award winner for Best Design for Doctor Faustus at the Royal Exchange); video design by Andrzej Goulding (winner of the inaugural Theatre and Technology Award for Creative Innovation in Video Design for Room in 2017); costume design by Anna Fleischle (Olivier Award winner, 2016 for Hangmen); and lighting design by Natasha Chivers (Olivier Award winner, 2007 for Sunday in the Park with George).
Sound design is by David McEwan (Music Producers Guild award winner); music co-production and mixing is by Grammy Award-winning Oskar Winberg; and dramaturgy is by Lolita Chakrabarti,whose writing credits include Life Of Pi and Red Velvet. The Associate Choreographer is Lukas McFarlane (Strictly Come Dancing).
Message In A Bottle makes its world premiere at Sadler’s Wells’ West End theatre, The Peacock, from 6 Feb – 21 Mar 2020. To book, call the ticket office on 020 7863 8000 or book online.
A Sadler’s Wells and Universal Music UK production co-produced with Birmingham Hippodrome and The Lowry, Salford. Research and development supported by The Movement.
Sadler’s Wells and Universal Music UK have announced a new dance theatre production by Associate Artist Kate Prince, set to the iconic music of multi-Grammy award-winning artist, Sting, and co-produced with Birmingham Hippodrome and The Lowry.
The spectacular production will include hits from across Sting’s catalogue, including Every Breath You Take, Roxanne, Every Little Thing She Does Is Magic, Walking On The Moon, Englishman in New York, Shape of My Heart and Fields of Gold.
Sting said: “It’s an intriguing idea to align my songs and music with the work of a successful and highly esteemed choreographer of Kate’s standing. I witnessed one of the first workshops and was very excited by the potential. It’s always interesting when someone from another field offers a fresh and unexpected perspective on your work and I’m so looking forward to seeing the piece.”
This production is the latest work from the creator behind Some Like it Hip Hop; Into The Hoods; Everybody’s Talking About Jamie (choreography) and SYLVIA, and features the astonishing talents of dance storytelling troupe, ZooNation: The Kate Prince Company.
The story follows the determined and daring adventures of three parted siblings in the aftermath of a tragic siege. Timely, moving and vital, an uplifting story of hope will be told with Kate Prince’s trademark spirited choreography.
“I’ve been a fan of Sting and The Police all my life and have seen him play live four times,” said Kate. “As a choreographer, when I listen to any music, I am always inspired to create dance, and Sting’s music, which has been playing in my headphones for over 30 years, kept bringing me to the same thought, ‘I want to choreograph to this’. As a body of work it is a choreographer’s dream. I mentioned the idea in passing to Alistair Spalding, who has been supporting my career and ZooNation for 15 years. Pretty soon I found myself nervously entering the lobby of a swanky London hotel to pitch the idea to Sting himself. Much to my complete surprise but complete delight, it is actually happening! All of my work has a narrative. I love stories, and you can expect this to be no different. Sting’s lyrics draw on so many themes, from political to the tragic, from death and heartache to love and hope.”
Alistair Spalding, Artistic Director and Chief Executive of Sadler’s Wells, said: “We have supported Kate Prince and her company ZooNation for 15 years and Kate became an Associate Artist at Sadler’s Wells in 2010. A little while ago she mentioned to me that she had always been a fan of the music of The Police and Sting – this coincided with Universal Music and Sadler’s Wells discussing possible joint projects and the synchronicity has led to this wonderful project becoming a reality for our Peacock stage and beyond. The meeting of this rich catalogue of music and Kate Prince’s inventive and energy-filled choreography in the rehearsal studios has proven the incredible potential of this collaboration.”
cast to be announced following national auditions.
Message In A Bottle makes its world premiere at Sadler’s Wells’ West End theatre, The Peacock, from 6 Feb – 21 Mar 2020. Tickets go on sale from 25 Feb 2019. To book, call the ticket office on 020 7863 8000 or book online. Priority booking is open to members from 22 Feb 2019. Find out more and become a member today.
In celebration of International Women’s Day, we look at some of the inspirational women who have shaped Sadler’s Wells’ history and continue to influence the world of dance today.
1. Lilian Baylis (pictured above) Lilian Baylis is one of the most important figures in the history of Sadler’s Wells and British theatre, whose legacy continues to be felt today. Having been the driving force behind the development of the Old Vic as the home of high-quality accessible drama and opera, in 1925 Lilian Baylis began fundraising to rebuild Sadler’s Wells, where she envisaged “tickets affordable by artisans and labourers” in North London. The fifth Sadler’s Wells building (since the original theatre was founded in 1683) opened in January 1931. Her direction enabled the creation of what later became some of the UK’s top performing companies, including The Royal Ballet, English National Opera and Birmingham Royal Ballet, as well as the renowned Royal Ballet School. A second space on the site of Sadler’s Wells was named the Lilian Baylis Studio in recognition of her, and provides a home to smaller scale work and work by emerging artists.
2. Dame Ninette de Valois Dame Ninette de Valois (Edris Stannus) was a ballerina, choreographer, ballet company director and teacher who founded The Royal Ballet. Born in 1898, her career had a huge impact on the world of classical ballet and she lived to the incredible age of 102. Lilian Baylis, who at the time was director of the Old Vic, was a great supporter of her work. The pair established an agreement for de Valois to create dances in support of the theatre, which – after the reopening of Sadler’s Wells in 1931 – led to the founding of Sadler’s Wells Ballet, later The Royal Ballet, making her one of the most influential figures in our history.
3. Dame Marie Rambert Born in Warsaw, Poland in 1888, Marie Rambert became the founder of Ballet Rambert, later known as Rambert Dance Company. She trained under the Russian impresario Serge Diaghilev and danced with Ballet Russes early in her career before moving to London at the outbreak of the First World War and eventually establishing her own company. Rambert was the first company to perform on our new stage when Sadler’s Wells current building opened in October 1998, and remains a regular and popular part of our programme today.
4. Martha Graham American dancer and choreographer Martha Graham is highly regarded as one of the most important faces of modern dance in the 20th Century. A trailblazer of her art form, Graham collaborated with the leading fashion designers, visual artists and musicians of her day and established the Graham Technique – a style of movement which is taught worldwide. Her legacy lives on through The Martha Graham Center based in New York, which houses the Martha Graham Dance Company and School of Contemporary Dance.
5. Pina Bausch Pina Bausch was artistic director of Tanztheater Wuppertal for over 35 years and remains one of the greatest choreographers of our time. During her directorship, she created over 40 productions for the company. We have presented many of them on the Sadler’s Wells stage and developed a close relationship with Tanztheater Wuppertal, which considers us their London home. Throughout her career, Bausch had an interest in film-making and collaborated with Federico Fellini on And the Ship Goes, as well as creating her own film The Complaint of the Empress and appearing in Pedro Almodóvar’s film Talk To Her. Her untimely death in 2009 shook the world of dance. “She was an artist of the kind that the world is only blessed with from time to time,” said Sadler’s Wells’ Artistic Director and Chief Executive Alistair Spalding. “Her repertoire of works has inspired generations of audiences and artists, with an impact that is hard to overestimate. She was a dear friend to me and I will miss her greatly. There is now a big hole in my life, and that of countless others.” Pina, a documentary film by Wim Wenders, was released in her memory shortly after her death. The company continues to present her work in theatres around the world. In 2015, it became an International Associate Company at Sadler’s Wells.
6. Anna Teresa De Keersmaeker Belgian choreographer Anna Teresa De Keersmaeker is an innovative leader in contemporary dance. Her bold and uncompromising choreography explores the relationship between music and movement and is influenced by subjects such as geometry, numerical patterns, the natural world and social structures. Based in Brussels, her world-renowned company Rosas has performed many times on our stage and is an International Associate Company at Sadler’s Wells. In 1995, De Keersmaeker established P.A.R.T.S. (Performing Arts Research and Training Studios) in Brussels, one of the world’s leading choreographic schools. Our Associate Artist Sidi Larbi Cherkaoui spent a year there as part of his dance training, while our other Associate Artist Akram Khan took part in the school’s X-Group project, a creative programme for young choreographers.
7. Siobhan Davies Siobhan Davies trained at London Contemporary Dance School and started her own company in 1981, also joining with Ian Spink and Richard Alston to found Second Stride, and launched her own company again in 1988. She has twice received the Laurence Olivier Award for outstanding achievement in dance. She came regularly to Sadler’s Wells with innovative and iconic works throughout the 90’s, gradually moving away from making work for the stage in favour of other contexts such as gallery, evolving from a national touring dance company into a ground-breaking investigative contemporary arts organisation based in a bespoke building since 2006 in Elephant & Castle.
8. Nilda Guerra At the heart of Cuban dance maker Nilda Guerra’s choreographic style and vibrant shows are the exploration and fusion of diverse dance styles and trends: Cuban popular and traditional, classical and contemporary, jazz and folkloric. Her hit Havana Rakatan, produced by Sadler’s Wells, premiered at The Peacock in summer 2007. Since then, it has enjoyed many successful West End seasons and toured extensively around the world to audiences of over 221,000. Her company Ballet Rakatan has performed at prestigious international venues such as the New York City Center Theater, Sydney Opera House, Amsterdam’s Carré Theatre, Rome’s Teatro Sistina, Oslo Opera House and Tokyo City Hall among many others. Nilda’s latest show Vamos Cuba! – a “high energy celebration of Cuban culture” – premiered at Sadler’s Wells in 2016.
9. Sasha Waltz The Berlin-based choreographer, whose birthday falls on International Women’s Day on 8 March, recently returned to Sadler’s Wells with her company Sasha Waltz & Guests to present Körper, the first in a choreographic trilogy focused on the human body. The piece premiered in January 2000 at the Schaubühne am Lehniner Platz in Berlin, where Waltz was co-director for five years. Our Artistic Director and Chief Executive Alistair Spalding describes the production as a “modern classic”.
10. Sylvie Guillem French ballet dancer Sylvie Guillem began as an aspiring gymnast with Olympic hopes, but changed career path when she arrived at the Paris Opera Ballet School on a year’s exchange. In 1984, aged 19, she became the youngest dancer in the history of the Paris Opéra Ballet at that time to be made an étoile (star), the highest rank within a ballet company. As a Principal Guest Artist of The Royal Ballet between 1988 and 2007, she gained international fame for her roles in the classical repertoire. As an independent artist, her curiosity and desire to experiment with, and inhabit, different movement languages led to rich creative collaborations with leading modern choreographers and theatre directors including William Forsythe, Mats Ek, Jiri Kylian, our Associate Artists Russell Maliphant and Akram Khan, and Robert Lepage. She was appointed a Sadler’s Wells Associate Artist in 2006 and, since the end of her dancing career in 2015, has become our first Associate Artist Emeritus.
11. Sara Baras Flamenco superstar Sara Baras has been performing for over 30 years and leading her own company since 1998. “It has given me the freedom to show the world how I feel and to learn how I can best present my flamenco productions. I have been able to do shows both with and without narrative, and to develop the work with dance and music in a very positive way. I’ve had to take a lot of risks – if you run your own company, you can stray from the familiar path to present something new,” she told The Guardian. Ballet Flamenco Sara Baras has performed at Sadler’s Wells’ on numerous occasions, and returns to our annual Flamenco Festival in July. Her prodigious stomping footwork, curving torso and powerful expressiveness have captivated audiences the world over.
12. Crystal Pite Canadian dance maker Crystal Pite is a Sadler’s Wells Associate Artist and one of the most original choreographic voices working today. A former company member of William Forsythe’s Ballett Frankfurt and Ballet British Columbia, she established her own company, Kidd Pivot, in Vancouver in 2002. Her distinct style integrates classical elements with structured improvisation. Her work Betroffenheit, a collaboration with playwright and actor Jonathan Young, sensitively explored the themes of trauma and suffering, earning great public and critical acclaim as well as multiple awards, including an Olivier for Best Dance production. A five-star review in The Guardian praised the work as “human suffering transformed into heroic brilliance”.
13. Jasmin Vardimon Jasmin Vardimon is a leading force in British dance theatre. Born and raised on a Kibbutz in central Israel, she joined the Kibbutz Dance Company and, in 1995, won a British Council On the Way to London Choreography Award. She moved to London in 1997, where she founded Jasmin Vardimon Company (previously Zbang). She has been an Associate Artist at Sadler’s Wells since 2006 and presented many of her works on our stage, including Freedom, 7734, Justitia, PARK,Pinocchio, and most recently, Medusa. Jasmin was the first Guest Artistic Director of National Youth Dance Company in 2012-13.
14. Kate Prince Kate Prince is the Artistic Director of ZooNation, which she founded in 2002. Three years later, we commissioned the company’s first first full-length work, Into the Hoods, conceived and directed by Prince. The production premiered in 2006 to huge critical acclaim. It became the first hip-hop dance show to transfer to the West End and the longest running dance show in West End history. We presented another of her most popular works, Some Like it Hip Hop, three times at The Peacock theatre, our West End venue. In May 2010, Kate became an Associate Artist at Sadler’s Wells and ZooNation became a Resident Company. An Old Vic, Sadler’s Wells and ZooNation: The Kate Prince Company production, co-commissioned by 14-18 NOW, her recent work Sylvia is a modern musical celebrating the life of suffragette Sylvia Pankhurst, which premiered in September 2018.
Kate’s next production is Message In A Bottle, a new dance theatre show co-produced by Sadler’s Wells and Universal Music UK, set to the iconic hits of 17-time Grammy Award-winning artist Sting.
15. Liv Lorent As Artistic Director of balletLORENT, Liv Lorent’s choreography has taken classic fairy tales and reinterpreted them for modern audiences in innovative dance theatre productions. She has received many awards for her work, including the Jerwood Choreography Award and an MBE for Services to Dance in 2014. She has been commissioned by leading dance companies, including BalletBoyz, Scottish Dance Theatre and Singapore Dance Theatre. Newcastle-based balletLORENT is a National Strategic Partner of Sadler’s Wells. Her production of Rumpelstiltskin was presented as part of our Family Weekend last year, followed by a UK tour.
16. Tamara Rojo Before being appointed Artistic Director of English National Ballet in 2012, where she is also a Lead Principal, Tamara Rojo had already crafted an extremely successful career as an internationally recognised ballet star. Trained in Spain, where her professional career began, Tamara moved to the UK in 1996 to dance with Scottish National Ballet. A year later she joined English National Ballet, where she danced all of the company’s principal roles before being invited to join The Royal Ballet as Principal Dancer in 2000. She danced with the company for 12 years, collecting accolades from critics and audiences alike, including a Laurence Olivier Award for Best New Dance Production with Goldberg: the Brandstrup- Rojo Project in 2010. In 2014, under her directorship English National Ballet became an Associate Company at Sadler’s Wells. Since then, the company has been presenting two annual seasons at Sadler’s Wells, and we have produced new contemporary ballet works together.
Tamara Rojo is a strong and vocal advocate of equality, on and off the stage. She is among the mentors of University Women in the Arts, a mentoring scheme for the next generation of female leaders in the arts. In 2016, she commissioned She Said, a triple bill of new works by female dance makers, which had its world premiere at Sadler’s Wells. This spring, English National Ballet returns to our stage with She Persisted, its second programme dedicated to female choreography.
17. Sharon Eyal Sharon Eyal is one of the most original and in-demand choreographic voices in contemporary dance. She started her career as a dancer with Batsheva Dance Company in her native Israel, going on to serve as Artistic Director and House Choreographer for the company. In 2009, Sharon began creating pieces for other dance companies and, in 2013, she launched L-E-V with her long-time collaborator Gai Behar. At the confluence of movement, music, lighting, fashion, art and technology, L-E-V is a cutting-edge company that could be equally at home in a techno club or a theatre. Sharon’s distinctive movement language is characterised by visceral, uncompromising physicality, which draws influence from Gaga, the movement research developed by choreographer Ohad Naharin. Her works deal with resonant themes such as the isolation of love and obsessive compulsive disorder.
Sharon made her Sadler’s Wells debut in 2016, with L-E-V performing OCD Love. She became an Associate Artist at Sadler’s Wells in 2018. As Guest Artistic Director of NYDC for 2017-18, she created new work Used To Be Blonde for the young company, which received its world premiere on our stage in spring 2018, followed by a UK tour. Later that year, her choreography made headlines at Paris Fashion Week for Christian Dior.
Kate Prince, Associate Artist at Sadler’s Wells and Artistic Director of ZooNation Dance Company (Into the Hoods, Some Like it Hip Hop, The Mad Hatter’s Tea Party, Groove On Down The Road) will be auditioning dancers for a new research and development project with Sadler’s Wells on17 August.
She is looking for dancers who are charismatic, highly skilled and diverse, whose abilities span more than just one genre of dance, including but not limited to contemporary, breaking, locking, popping, house dance, krump, African dance, lindy hop, swing, experimental and freestyle. Dancers who love to tell stories and feel comfortable doing character work.
This is a pure dance piece and there is no requirement to speak or sing. The R&D period is from Wednesday 4 to Thursday 19 October 2017. All applicants must be available for this period.Audition will be by invitation only and is subject to the requirements above.
Send CV, photo and video link submissions to firstname.lastname@example.org. Please note that without a video link where you can be clearly identified, we won’t be able to invite you to audition. Deadline for applications is noon on Friday 11 August.
Image: Kate Prince, Associate Artist at Sadler’s Wells and Artistic Director of ZooNation Dance Company.
Sadler’s Wells’ international festival of hip hop dance theatre Breakin’ Convention and ZooNation Dance Company, one of Sadler’s Wells’ resident companies, have together been awarded over £1 million in funding by the Arts Council.
They are among 13 organisations who will receive a total of over £4.8 million from Arts Council England as part of its Strategic Touring Programme, enabling them to tour throughout the UK over the next two years. The funding shows a substantial investment in developing audiences for hip hop dance.
Alistair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, said:“There is no underestimating the growth hip hop as a dance style has been experiencing in recent years, exploding from the streets onto the stage, but also on TV and through fashion and advertising. Its enormous success stems from its ‘each one teach one’ approach to knowledge-sharing and its ability to continuously evolve and develop a highly original vocabulary – a language that is dynamic and current, and speaks to ever increasing numbers of young people.
In the last 12 years, Breakin’ Convention has established itself as a world leader in hip hop dance theatre through its annual international festival at Sadler’ Wells. ZooNation has also been championing the development of hip hop through productions characterised by inventive and captivating storytelling, such as Into the Hoods and Some Like It Hip Hop.”
He continued: “It is great news that the Arts Council has chosen to invest in these projects through their Strategic Touring Fund, which will enable Breakin’ Convention and ZooNation to tour their high-quality work to a number of venues across the UK over the next two years, giving audiences outside London the opportunity to experience hip hop dance theatre, as well as to hopefully discover the next generation of hip hop artists.”
Welcoming the grant, Sadler’s Wells’ Associate Artist and Breakin’ Convention’s Artistic Director Jonzi D said: “This is excellent news for the sector. It allows Breakin’ Convention to support the professional development of hip hop dance theatre even further, providing skills, knowledge and platforms for the plethora of emerging dance crews following in the footsteps of ZooNation, Boy Blue, Southpaw and Birdgang. The lyrical dexterity of UK emcees will now have a space to develop theatrical devices within our Moving Rap workshop strand. Arts Council England has shown commitment to the creative phenomenon that is Hip Hop culture, at a time when peace, love, unity, and fun is much needed.”
Breakin’ Convention has been awarded £562,783 for a two-year project that will see the festival tour throughout May 2016 and May 2017, programming over 400 local artists per tour to perform alongside international artists. The touring activity will be complemented by a professional development programme, pairing up artists and future hip hop programmers. There will be a new spoken word professional development strand entitled Moving Rap and a continuation of the film-makers mentorship programme.
Launched by Sadler’s Wells in 2004 and hosted and curated by Jonzi D, Breakin’ Convention features performances from diverse UK and international companies each year. The festival also sees Sadler’s Wells’ foyer transformed into a performance space with live DJs, freestyle dance jams, graffiti exhibitions and workshops from top international artists.
ZooNation Dance Company has been awarded £499,471 to present a large-scale tour of Into the Hoods: Remixed, a newly revamped version of the award-winning production, throughout the UK from Spring 2016. Performances of the work at regional venues will build on the show’s track record of bringing more diverse and younger audiences into theatres, something that it successfully achieved during previous runs at Sadler’s Wells, the Edinburgh Fringe, Southbank Centre and in the West End between 2006 and 2010.
Into the Hoods became both the first ever hip hop dance show in the West End and the longest running dance show in the West End’s history, with a five month run at the Novello Theatre. The cast of Into the Hoods won the 2009 What’s On Stage Theatregoers’ Choice Award for Best Ensemble Performance. Under the direction of Sadler’s Wells’ Associate Artist Kate Prince, the much-loved show has been updated for 2015 with new choreography, a remixed soundtrack and new designs. Its first performances will take place at The Peacock from 23 October to 14 November, before the show embarks on national tour in spring 2016.
Into the Hoods: Remixed will act as the catalyst to deliver an audience development project, ZooResidence, across England, supporting and encouraging venues and their local partners to build audiences for hip hop dance theatre in new ways. It will include a series of projects for reaching thousands of young people, culminating in the creation of a piece to be performed as a pre-show curtain raiser for the production at each of the five partner venues.
In the production, ZooNation’s trademark narrative hip hop theatre style is used to tell the story of two children who get lost in the ‘hood’ and the surprising encounters and discoveries they make along their way, in what is a witty and humorous contemporary fairytale.
Kate Prince, Artistic Director of ZooNation Dance Company, said: “I think it is a really exciting and bold move for the Arts Council to make such a significant investment in developing audiences for hip hop dance theatre through these two major projects. The chance to work with venues more closely will really release the potential of our work to reach more people and connect new audiences to regional theatres”.
She continued: “This investment of over £1 million pounds between ourselves and Breakin’ Convention also makes a statement about hip hop dance and its cultural importance and artistic currency. We are over the moon that the Arts Council is supporting us to take our work around the UK and to be part of developing hip hop dance nationwide.”
Joyce Wilson, Area Director, London, Arts Council England, said: “We are delighted to be able to support Breakin’ Convention and ZooNation Dance Company through our Strategic touring programme; it is a clear illustration of the breadth and quality of work that we value and support. These tours will not only showcase some of the best hip hop dance theatre in the world, but also support the professional development of emerging hip hop dance talent and leaders across England.”
Image: Wanted Posse performing at Breakin’ Convention in 2014. Photo: Belinda Lawley