Our resident National Youth Dance Company (NYDC), home to some of the country’s brightest young dance talent, has appointed its next two Guest Artistic Directors: Sadler’s Wells Associate Artist Russell Maliphant in 2019-20 and acclaimed choreographer Alesandra Seutin in 2020-21.
The company will begin creating a new
commission with Russell Maliphant in autumn 2019. He takes over from current
Guest Artistic Director, the Olivier award-winning dance artist Botis Seva
whose work for NYDC, MADHEAD,
premiered at DanceEast in Ipswich on 20 April. MADHEAD tours to six further venues across England this summer,
closing at Sadler’s Wells on 19 July.
in its eighth year, NYDC has
established a reputation for innovative, challenging and influential work,
producing open-minded and curious dancers. The company brings together the
brightest talent from across England, immersing the members fully in the
process of creating, performing and touring new work, giving them a unique
insight into the dance profession.
Russell Maliphant, NYDC Guest Artistic Director 2019/20, said: “I am very happy to be working as the next Guest Artistic Director for National Youth Dance Company. NYDC provides great opportunities for young dancers to develop in to world class performers – I have seen this in action over the years and have personally worked with some of that talent in my own company. I’m looking forward to starting this season with another new generation of dancers here in the UK.”
Alesandra Seutin, NYDC Guest Artistic Director 2020/21, said: “I am very excited and honoured to work with National Youth Dance Company as Guest Artistic Director in 2020/21. I look forward to breaking boundaries with the dancers of the future, and having the opportunity to be part of this beautiful process is amazing. With the support of Sadler’s Wells, I hope to continue growing as a leader and a maker collaborating with NYDC to keep its reputation for innovative, challenging and influential work, producing open-minded and curious dancers.”
About the new Guest Artistic Directors
Russell Maliphant established his own dance company in 1996 as the framework to create productions and work with his own ensemble of dancers. Since then, he has received two Olivier awards, three South Bank Show awards and four Critics’ Circle National Dance awards. He became an Associate Artist of Sadler’s Wells in 2005.
Russell’s work has been performed by renowned dance artists including Sylvie Guillem, BalletBoyz, Munich Ballet and English National Ballet, for whom his piece Second Breath was part of the critically celebrated programme Lest We Forget. Two graduates of NYDC, Edd Arnold and Folu Odimayo, make up part of the Russell Maliphant Dance Company and can be seen performing in Silent Lines at Sadler’s Wells, on 18 & 19 October.
Performer, choreographer and teacher Alesandra Seutin grew up in Brussels and lives in London. She studied dance internationally and continued her training at the École des Sables in Senegal as a student of Germaine Acogny. She is now a worldwide ambassador of the Acogny technique and teaches at École des Sables and globally. In 2007, she founded Vocab Dance Company, and has progressively built an international reputation for creating thought provoking and visually striking performances.
Alesandra presented Boy Breaking Glass as part of Sadler’s Wells’ 20th anniversary commission, Reckonings, in October 2018 alongside works from Sadler’s Wells New Wave Associate Julie Cunningham and current NYDC Guest Artistic Director Botis Seva.
NYDC has begun its search for the next intake of 30 young dancers to join the company, with NYDC Experience Workshops taking place across England until 8 July.
The organisation has been granted further support for the two years ahead from the Department for Education and Arts Council England, to continue nurturing the country’s young dance talent and to build on the dance artists of the future.
For full NYDC tour dates and tickets for MADHEAD, click here.
Sadler’s Wells produces an eclectic mix of world-class dance shows and tours them both at home and abroad. At least 10 of our productions are presented on stages worldwide each year, showcasing styles as rich and varied as tango, salsa, hip hop and contemporary dance.
Since 2005, our productions have toured to over 300 venues in more than 200 cities in 48 countries, with over 2,100 performances enjoyed by audiences of over 1.9 million across the globe.
On International Dance Day, we go behind the scenes for an exclusive look at productions we are currently touring, speaking to the people who produce our shows to find out just what it takes to bring them on the road and onto world stages.
National Youth Dance Company: MADHEAD
What? Under the creative direction of acclaimed 2018-19 Guest Artistic Director and Olivier award winner Botis Seva, our National Youth Dance Company (NYDC) – comprising 38 of the UK’s best young dancers – premiered its new work MADHEAD in Ipswich on 20 April. The show blends contemporary dance, physical theatre and hip-hop, combining Botis Seva’s choreographic style with the young dancers’ energy and talent to deliver an enthralling and energetic performance.
Where? From June, the production embarks on a national tour across Plymouth, Newcastle, Essex, Brighton and Birmingham, closing at Sadler’s Wells on 19 July.
Who? NYDC General Manager, Hannah Kirkpatrick.
Can you describe producing MADHEAD in one word? Inspiring.
Challenges? As with all NYDC productions, the challenge is also part of what makes NYDC. Just by nature of the company, it is a huge challenge: a full-length work developed in just 4 weeks, with high production values, with almost 40 young people, all with different training backgrounds and dance styles. It needs to be a work that is strong enough to stand alongside professional work in some of the leading theatres in the country. We don’t want people to think that work by young people is lesser in any way; it just has a different energy.
Personal highlights? I think Botis and the Far From The Norm artists (Vicky, Jordan, Ezra and Joshua) have been inspiring role models for the company. We were on residency when Botis won the Olivier Award for best dance for his work BLKDOG. They had been rehearsing with the company all day, got changed in the dressing rooms at Sadler’s Wells and then went to the awards ceremony. And then the next day they were back in the studio at 9am warming up. That dedication and work ethic is really inspiring for our company dancers to see. It sets the standard and I think that’s really important.
It’s also a highlight to see the dancers’ faces when they do a run and it goes well and they feel the high of performance. Seeing that they are proud of what they have done and seeing them starting to own the piece as theirs, that’s pretty special.
William Forsythe’s A Quiet Evening of Dance
What? Forsythe continues to innovate in this FEDORA award-winning production of new and existing works, stripping dance back to its core, rawest form. Performed by seven of his most trusted collaborators, the dance roster is extensive, technical and multi-dimensional as the result is intimate, personal and free from clutter.
Where? A Quiet Evening of Dance has just toured in Germany – it will continue to tour Europe, appearing in Oslo in May and at the Venice Biennale in June.
Who? Assistant Producer, Florent Trioux.
Can you describe producing A Quiet Evening of Dancein one word? Special (in the best possible way).
Challenges? This piece is touring over 21 weeks this year. With a team of seven international dancers and three British technicians, it involves a huge amount of international logistics. The team is composed of American, German, Albanian, British, Canadian nationalities, and we had to overcome some challenging situations in order to bring some of these people into the UK, not only for the production of the show but also during its tour.
During production it was difficult to manage our expectations. We had no idea what would become of the piece. Bill has a very specific creative process and I don’t think he knew himself. It was hard to foresee how the programme would be structured a few days before the premiere, or what music would be used in parts of the show. It’s like working in the dark, but being very excited about it!
Personal highlights? Having the honour to meet and work with Bill Forsythe has been a fantastic working and human experience. He is a creative genius and an amazing human being. The people he brought together for this project are all very unique and have amazing personalities. We’re like a family.
I have seen this show over 10 times already and I am still always looking forward to seeing it again in a different place. It is such a tasteful and clever piece. When our Artistic Director and Chief Executive Alistair Spalding said “William Forsythe changed my view of what dance can be”, I understood why, because he did it for me too.
Natalia Osipova: Pure Dance
What? In Pure Dance, superstar ballerina Natalia Osipova brings together a handpicked programme of exciting and eclectic dance works. Through a medley of five elegantly breath-taking pieces, which see her accompanied by three exceptional dancers, Pure Dance takes the audience on a journey from the world of classical ballet through to a more contemporary repertoire.
Where? Pure Dance premiered in London last autumn and has recently toured to New York. ”Ms Osipova, a principal at the Royal Ballet in London, uses the program to cultivate new partnerships: with other dancers and with choreographers she has handpicked to showcase the range of her artistry,” said the New York Times’ review. Next up will be Lyon, France, in June.
Who? Senior Producer, Ghislaine Granger.
Can you describe producing Pure Dancein one word? Jigsaw-puzzle.
Challenges? It was tricky scheduling rehearsals involving four very busy dancers, on top of six equally busy choreographers, as well as the creative teams around each piece. There were a lot of people and places to juggle!
Personal highlights? Getting a personal thank you from each artist involved – that was a real treat.
Yang Liping’s Rite of Spring
What? Choreographer Yang Liping is known as the “Peacock Princess” in her native China. This affectionate nickname stems from her most famous dance work, Spirit of the Peacock, inspired by the traditional peacock folk dancing of her youth. In this stunning new work, a Sadler’s Wells’ co-production, she reunites with Oscar-winning designer Tim Yip to create a unique take on Igor Stravinsky’s The Rite of Spring – utilising the iconic score alongside original compositions inspired by traditional Tibetan music. Returning to her roots for this piece, Yang’s sacrificial Chosen One takes the form of a peacock.
Where? Following its world premiere in Shanghai in October, the production will embark on a global tour in cities including New York and Amsterdam, making its UK premiere at Sadler’s Wells in May.
Who? Farooq Chaudhry, Producer.
Can you describe producing Rite of Springin one word? Unpredictable!
Challenges? Trying to reimagine a story and make it relevant and accessible to western audiences, while respecting and retaining the Chinese context and aesthetics that have driven the creative process. That and the awful dilemma of trying to transform Yang Liping’s vision without changing her!
The biggest producing challenge is always finding an authentic alignment between intention, action and context.
Personal highlights? Watching and discovering a relatively inexperienced young cast grow and flourish and knowing this work has made a big difference to Chinese contemporary dance.
We’re excited to be part of #DancePassion – a new festival organised by BBC Arts in collaboration with One Dance UK, showcasing extraordinary dance from the four corners of the UK. As part of the live streaming day on Friday 5 April, we’re taking you behind the scenes at Sadler’s Wells to join exceptional dance-makers as they create and rehearse three works at different stages of development. We’ll be live streaming all the action on the Sadler’s Wells Facebook page and at www.bbc.co.uk/dance
Live from Sadler’s Wells Friday 5 April
1.30pm Akram Khan Company
Our Associate Artist Akram Khan invites you in to a rehearsal for his new company production, Outwitting the Devil. Drawing inspiration from the most recently discovered tablet from the Epic of Gilgamesh, Akram and his collaborators are creating the narrative of six characters seeking to make whole the fragments of ancient knowledge lost and forgotten over time.
3pm English National Ballet
Dancers from our Associate Company English National Ballet rehearse Annabelle Lopez Ochoa’s Broken Wings, based on the life and art of Frida Kahlo. It’s one of three pieces featured in She Persisted, a programme of work by female choreographers performed at Sadler’s Wells on 4 – 13 April. She Persisted continues English National Ballet’s commitment to showcasing women’s voices in dance, and follows 2016’s celebrated She Said programme.
4pm National Youth Dance Company
National Youth Dance Company is made up of 38 talented young dancers from all over England who are keen to make their mark on the dance world. Eight dancers from the company rehearse their new work MADHEAD with Olivier-nominated choreographer Botis Seva, this year’s Guest Artistic Director. Drawing on Botis’ unique movement language of physical theatre and hip hop, and on the exuberant, impulsive energy of youth culture, MADHEAD makes its world premiere at Ipswich’s DanceEast on 20 April, followed by a national tour culminating at Sadler’s Wells.
National Youth Dance Company (NYDC), the UK’s leading incubator for young talent run by Sadler’s Wells, has started to rehearse its new piece, MADHEAD, under Botis Seva’s artistic guidance. The ensemble had their first residency at DanceEast in Ipswich in October. Among them is Harriet Musgrove, a 18-year-old dancer coming from Exmouth in Devon. Following the residency, she shared her thoughts on how it feels to be a NYDC dancer.
“Prior to the first residency, I felt a variety of emotions: I was anxious, excited, tense and also quite overwhelmed! I can remember walking through the doors of Sadler’s Wells and all the other 37 members of the company had already arrived. But everybody welcomed and put me at ease immediately – it was a great feeling!
We arrived at DanceEast in Ipswich after travelling from Sadler’s Wells and headed straight into the studio, where Botis Seva and his dancers Jordan and Joshua greeted us. We were thrown straight into the deep end with some challenging repertoire and some crazy improvisation tasks. Even after the first day of the residency, I felt incredibly inspired by the energy of Botis and his team.
NYDC first residency. Image: Manuel Vason
A typical day during an NYDC residency begins with a warm up led by members of the company followed by six hours of dance class with Botis and his team. Training was interspersed with breaks to re-energise and recharge our bodies. Our days would end with our Zen for Ten, which gave us time to reflect and write down anything we wanted to – an exercise I really appreciated. We also had something called Toolbox sessions, extremely insightful discussions led by the NYDC team each evening about auditions and applications for dance schools.
I left the first residency feeling very achy, yet accepted and privileged to be part of NYDC. My aim for the next residency is to absorb as much information as possible from Botis, and also learn from all the dancers around me. They all move so powerfully! I am so excited for the upcoming year and I can’t wait to see how the piece will turn out!”
MADHEAD will premiere at Dance East in Ipswich on 20 April 2019, followed by a nationwide tour and a final performance at Sadler’s Wells on 19 July 2019.
The National Youth Dance Company (NYDC) has started to work with 2018-19 Guest Artistic Director Botis Seva on a new piece titled MADHEAD.
Twenty-eight new members – 19 female and nine male – were selected through experience workshops held throughout the UK over the summer. They joined ten returning dancers from last year to form a company of 38.
Image: Manuel Vason
Far From The Norm Artistic Director Botis Seva will lead this new cohort. His appointment followed the world premiere of his recent highly acclaimed piece, BLKDOG, commissioned as part of Sadler’s Wells’ 20th anniversary’s triple bill, Reckonings (Oct 2018), which also included works from Julie Cunningham and Alexandra Seutin. Seva has also recently collaborated with filmmaker Billy Boyd Cape to produce Reach, a short film commissioned by Sadler’s Wells as part of Channel 4’s Random Acts series.
The company will premiere MADHEAD at Dance East in Ipswich on 20 April 2019, followed by a nationwide tour and a final performance at Sadler’s Wells in July 2019. The new commission will blend contemporary dance, physical theatre and hip hop.
Established in 2012 and run by Sadler’s Wells, NYDC is the UK’s flagship company for young dancers aged 15-24, bringing together and nurturing the brightest talent from across the country with the aim of shaping the future of dance.
NYDC’s dancers are mentored during four intensive residencies in school holidays to rehearse the new piece. Read here new member Harriet Musgrove’s personal reflection on the company’s first residency held at DanceEast in Ipswich in October.
What the NYDC programme offers to its young members is a unique insight into the dance profession and the invaluable opportunity to collaborate with professional dance artists and their creative teams. The year-long experience in the company has proved successful in providing dancers with the necessary skills and techniques to find career opportunities. Over 80% of NYDC alumni have either gone on to undertake further dance studies or work professionally at established dance companies such as Matthew Bourne’s New Adventures, Cullberg Ballet, BalletBoyz and Rambert2.
Last summer, National Youth Dance Company (NYDC) teamed with Corali Dance Company to create a short dance film. It was directed by Paul Davidson, a Corali dancer who has been with NYDC for two years.
Paul has autism and was interested in creating a piece of art with an inclusive cast of disabled and non-disabled dancers. The film and accompanying documentary were created over a three-day residency. The final result was Escape the Nowhere, a piece following a young man trapped in a maze that creatively explores the idea of parallel co-existing perspectives and realities.
With the finished product in hand, Sadler’s Wells have worked with Paul, NYDC alumni and Corali to develop a two-hour workshop that uses the film as a stimulus for the making and exploration of new movement. In tandem, the film was screened across the country enjoying success at venues and events from Croydon to Durham.
Zara Rush, Creative Producer at Corali Dance Company was optimistic the partnership: “Corali Dance Company were delighted to act as inclusive lead for this partnership with NYDC. The project grew from strength to strength and enabled young people to find their artistic voice, take the lead and share practice. It’s been great to see how young dancers across the country have gone on to explore the themes from Escape the Nowhere in the projects legacy workshops and how they’ve made new creative discoveries for themselves.”
You can see the video documenting the creation process here:
The workshop series was delivered in tandem with key regional partners. Magpie Dance were the first to experience the session and their co-Artistic Director Natasha Britton has spoken about the experience:
“We were thrilled to welcome NYDC alumni Paul and Kennedy, who delivered two-hour workshops to both our junior and youth groups on day one of our Easter intensive.
The workshops were confidently delivered and rich with creative challenges, all pitched at an appropriate level for our dancers with learning disabilities. The creative tasks they chose all linked back to the dance film made by Paul, Escape the Nowhere. Having watched the film, this allowed our participants to really engage with the theme and the process.
After the workshops, the facilitators at Magpie Dance supported the Easter School participants to further develop the ideas they had explored, leading to the creation of their own piece. At the end of the third and final day, family and friends were invited to watch Escape the Nowhere and our piece inspired by it. The participants and their families were hugely grateful for the opportunity to use such a powerful dance film as a stimulus and work with such exciting visitors.”
On Inspiring Future Theatre Day, we’re excited to announce a performance by over 400 young dancers that will take place at Eden Project in Cornwall on 17 July, in collaboration with National Youth Dance Company and Dance Republic 2.
Space Time will see 41 of the most talented young dancers in England from the National Youth Dance Company travel to Cornwall to take part in this unique dance event, joining young dancers from 10 Cornwall schools and the ‘Propeller’ young dancers training programme.
Throughout the afternoon, the Eden Project’s Mediterranean Biome will host performances by the young dancers, specially created for the space.
Each dance group will explore a particular theme related to space or time, located across chosen sites at the Eden Project such as the Lime Steps, Spiral Garden and Avenue of the Senses, culminating in a spectacular finale with 450 young people dancing on and around the bridge near the Core Building.
The finale to the piece was choreographed by dancers and artists from National Youth Dance Company during a residency at Falmouth University in May, and is now being taught to primary school children all over Cornwall in preparation for the performance next month.
Elaine Foley, Projects Manager for Learning & Engagement at Sadler’s Wells, says: “The National Youth Dance Company residency at Falmouth University in May was brilliant. We loved meeting all the dancers from Propeller and were so impressed by all the material they learned in just two days. In the spirit of Inspiring Future Theatre Day, much of the choreography was taught by NYDC dancers themselves or generated in groups using improvisation. Everyone was open-minded, hard working, and brought loads of creative ideas to the session. It was a beautiful example of artistic practice driven by young people. We couldn’t be more thankful to Propeller and AMATA at Falmouth University for the opportunity to bring everyone together in this way. It’s going to be amazing seeing it all come together at Eden Project later this month!”
Space Time begins at 1pm on 17 July, with the finale at approximately 3.30pm.
There’s also a chance to see National Youth Dance Company on tour this summer with their latest work Used To Be Blonde choreographed by Guest Artistic Director Sharon Eyal. Upcoming performances include Latitude Festival on 14 July, AMATA Falmouth on 18 July and Brighton Dome on 20 July. Find out more here.
National Youth Dance Company (NYDC) has begun delivering its annual series of experience workshops across the UK, showcasing its talent and encouraging young people to dance. The workshops are aimed at anyone aged 16 to 18 (or up to 24 if deaf or disabled) who is interested in dance, or looking to pursue a career in the sector. A selected number of participants will be called back to a final workshop at Sadler’s Wells later in the year, after which 30 young dancers will be invited to officially join the company’s next cohort.
Run by Sadler’s Wells, NYDC seeks out the brightest talent in dance from across England to work closely with renowned professional artists. Since its inception in November 2012, the company has built a reputation for creating ground-breaking work and producing high-calibre artists that are curious and brave. Each year, a different group of 30 dancers has the opportunity to work with a world-class choreographer and their creative team to create new work and perform it at art venues around the country. Acclaimed dance makers Jasmin Vardimon, Akram Khan, Sidi Larbi Cherkaoui, Michael Keegan-Dolan, Damien Jalet and Sharon Eyal have been Guest Artistic Directors of NYDC in previous years. Emerging choreographer Botis Seva was recently announced a the next Guest Artistic Director for the company, which has been performing to over 30,000 people to date.
NYDC’s experience workshops give participants a sense of what life is like as a NYDC dancer. Participants join a company class, get to learn repertoire from NYDC productions and take part in different creative tasks. This is a great chance for young aspiring dancers to meet the company, learn more about it and further their personal trajectory in the world of dance.
In line with Sadler’s Wells’ core ethos and values, NYDC prides itself on being open and inclusive. Its workshops actively encourage dancers from a wide range of abilities, backgrounds and dance styles. A diversity of experience makes for a better team, and it is an important part of our working practice to bring the workshops as far as possible outside London, to those who otherwise might not be able to take part. An in-built philosophy within the Company is that of giving back – the sharing with others of what has for so many been a fundamentally life-changing experience.
The company is embarking on a concurrent tour to eight venues across England with Used to be Blonde, its latest production by Sadler’s Wells’ Associate Artist Sharon Eyal, with music by composer Ori Lichtik. The show has been commissioned as part of a series of 20 original works celebrating the 20th anniversary of Sadler’s Wells’ current building in Rosebery Avenue – the sixth to be built on the site since the theatre was first established in 1683.
NYDC will deliver experience workshops in 18 cities across England throughout May, June and July. For more information, visit the NYDC website. Participation in the workshops is free, but places must be booked using the online booking form. Tickets for performances of Used To Be Blonde are available here.
National Youth Dance Company (NYDC), the country’s flagship organisation for young dancers run by Sadler’s Wells, will work with choreographer Botis Seva as its next Guest Artistic Director. NYDC begins its search for the next intake of 30 young dancers to join the company for 2018-19 and work with Seva to create a new dance production, with Experience Workshops taking place across England from next month. The organisation has been granted further support for the two years ahead from the Department for Education and Arts Council England, to continue nurturing the country’s young talent and building the leading dance artists of the future.
Seva takes over from the current Guest Artistic Director, Sadler’s Wells’ Associate Artist Sharon Eyal. Used To Be Blonde, Eyal’s production for National Youth Dance Company, premiered to critical acclaim at Sadler’s Wells earlier this month and is touring across England this summer.
Botis Seva is a dance artist, choreographer and director working within the realms of contemporary dance, physical theatre and hip-hop. He was awarded the Bonnie Bird Choreography Fund and the Marion North Mentoring Award in 2015, and has won two international choreographic competitions: Choreography 30 in Hannover, Germany and Copenhagen’s International Choreographic Competition. Seva’s recent dance credits include InNoForm for the British Dance Edition & Laban Theatre, Woman of Sun for Greenwich Dance & Trinity Laban Partnership Compass Commission, outdoor work H.O.H for Without Walls, GDIF & Norfolk & Norwich Festival and TuTuMucky for Scottish Dance Theatre.
Seva and his collective Far From the Norm have previously performed at Sadler’s Wells with Breakin’ Convention, and curated a Wild Card evening in the Lilian Baylis Studio. In October his work will be seen in Reckonings, a triple bill commissioned by Sadler’s Wells to celebrate the 20th anniversary of our current theatre building, which will also feature pieces by UK-based dance-makers Julie Cunningham and Alesandra Seutin.
Botis Seva, NYDC Guest Artistic Director, said: “I’m very excited and grateful for the opportunity to work with National Youth Dance Company. I look forward to sharing my passion for dance with these young performers, and having the opportunity to challenge my own dance language while I am Guest Artistic Director. Having the chance to work with NYDC has always been on my bucket list, and I hope with the support of Sadler’s Wells this experience will truly push me as an artist.”
Experience Workshops will take place across England from May to July. The workshops are an opportunity to find out more about NYDC. Young dancers will take part in a company class, learn repertoire from NYDC productions and take part in creative tasks. Participants will also meet members of the current company, ask questions and get advice on dance training and careers in dance. Experience Workshops are used as an opportunity to be considered for a place in the 2018-19 company. They are open to dancers from all backgrounds and abilities, with experience in any dance style.
Entering its seventh year, NYDC has established a reputation for innovative, challenging and influential work, producing open-minded and curious dancers. The company brings together the brightest talent from across England, immersing the members fully in the process of creating, performing and touring new work, giving them a unique insight into the dance profession. NYDC has a track record of putting young people on paths to successful dance careers, with over 80% of all former NYDC dancers now either in further dance studies, in vocational training or working professionally. Graduates from NYDC have since danced in Michael Keegan-Dolan’s Teaċ Daṁsa, Hofesh II, and the Jasmin Vardimon Company.
In addition to the core programme, NYDC runs additional projects that support dance in communities across the country. Current members will visit Falmouth in May for a residency with local young dancers who are a part of Propeller and Hall for Cornwall Youth Dance. This starts a creation process that culminates in a large-scale outdoor performance at the Eden Project in July. Also, NYDC recently partnered with the inclusive Corali Dance Company to create a new dance film, directed by Paul Davidson (a Corali and NYDC dancer), which has been developed into a workshop for young dancers with regional partners across England.
If you are coming to see Trois Grandes Fugues by Lyon Opera Ballet at Sadler’s Wells on 20 October, make sure to arrive early to catch a special performance by community dance group Silver Routes and alumni of National Youth Dance Company.
Silver Routes meet weekly at the St Luke’s Centre in Islington and are part of Sadler’s Wells’ outreach programme for over 60s, while NYDC is one of the artist development programmes we run to nurture the next generation of talent. Both projects are part of our Learning and Engagement work, which aims to make dance accessible to all and to inspire new and existing audiences, young people and communities by connecting them with dance and our programme.
The curtain raiser ahead of Trois Grandes Fugues sees 21 dancers from Silver Routes and alumni of NYDC collaborate on a thought-provoking piece inspired by the Lyon Opera Ballet production. Similarly to the three pieces in the programme, it responds to Beethoven’s Grande Fugue op.133. The work has been choreographed by Catarina Carvalho, a former dancer with Company Wayne McGregor.
This is a joint initiative between Sadler’s Wells and Dance Umbrella, an international dance festival celebrating 21st-Century choreography by presenting dance across the capital, including the performances of Trois Grandes Fugues on our stage.
The intergenerational project aims to bring together dancers of different backgrounds to create work in response to our artistic programme. There are two opportunities to watch this piece, at 6:45 and 7pm on the Mezzanine level, before the Lyon Opera Ballet show begins.
We hope you enjoy it!