ZooNation

Message In A Bottle: announcing the cast and creatives

An exceptional cast of dancers and a multi-award winning creative team come together for Message In A Bottle, the hotly anticipated new dance theatre show by Sadler’s Wells Associate Artist Kate Prince, set to the music of 17-time Grammy Award-winning artist Sting.

A Sadler’s Wells and Universal Music UK production, Message In A Bottle receives its world premiere at The Peacock from 6 February – 21 March 2020, followed by a UK and international tour (more dates to be announced).

The cast

Message In A Bottle sees a village alive with joyous celebrations suddenly come under siege. In the chaos, three siblings, Leto, Mati and Tana are separated from their parents; they undertake a perilous journey to new lands and step out on their own extraordinary adventures.

Message In A Bottle is performed by an extraordinary ensemble of dancers from ZooNation: The Kate Prince Company. Lukas McFarlane, a winner of Sky 1’s Got to Dance, plays Leto; Tommy Franzen, who stars in the new Tom Hooper-directed CATS, is Mati; and Natasha Gooden – whose credits include Blak Whyte Gray with Boy Blue and Strictly Come Dancing – performs the role of Tana.

Natasha Gooden, who plays Tana in Message In A Bottle. Rehearsal image (c) Johan Persson

Joining them are Lizzie Gough, a finalist on So You Think You Can Dance and judge on CBBC’s Alesha’s Street Dance Stars; and Nafisah Baba, winner of BBC Young Dancer in 2017.

Making their ZooNation debut in this production are Samuel Baxter, Onyemachi Ejimofor, Anna Holmström, Emma ‘Shortbread’ Houston, Ajani Johnson-Goffe, Daniella May, Daniel Phung and Hannah Sandilands. Completing the company is Kino McHugh, Michael Naylor, Aaron Nuttall, Delano Spenrath, Annie Edwards, Nestor Garcia Gonzalez and Gavin L Vincent.

“I am so inspired by this incredible international company of ZooNation dancers. Their skill and ability is insane” explains Kate Prince. “The company has some of the best breakers and contemporary movers I’ve encountered during my 20 years of working in professional dance. Their dedication and discipline, agility, strength, stamina and their ability to tell stories through dance are both mind blowing and exhilarating. I feel very fortunate that I get to tell this very important story with them and to create movement with their fantastically talented and expressive bodies.”

Lukas McFarlane, who plays Leto in Message In A Bottle. Rehearsal image (c) Johan Persson

The creative team

Message In A Bottle includes new musical arrangements by Alex Lacamoire, the celebrated Grammy and Tony Award-winning musical director known for his work on Hamilton (2016), In The Heights (2008), Dear Evan Hansen (2017), The Greatest Showman (2017), Fosse/Verdon (2019) and Carmen La Cubana (2016). Music production and additional arrangements for the show come from multi-Grammy Award winner Martin Terefe, who has written and produced for artists including Jason Mraz, Sean Mendes, KT Tunstall, Tom Odell and Train.

Alex Lacamoire provides new musical arrangements for the show

Message In A Bottle has set design by Ben Stones (MEN 2011 Award winner for Best Design for Doctor Faustus at the Royal Exchange); video design by Andrzej Goulding (winner of the inaugural Theatre and Technology Award for Creative Innovation in Video Design for Room in 2017); costume design by Anna Fleischle (Olivier Award winner, 2016 for Hangmen); and lighting design by Natasha Chivers (Olivier Award winner, 2007 for Sunday in the Park with George).

Sound design is by David McEwan (Music Producers Guild award winner); music co-production and mixing is by Grammy Award-winning Oskar Winberg; and dramaturgy is by Lolita Chakrabarti, whose writing credits include Life Of Pi and Red Velvet. The Associate Choreographer is Lukas McFarlane (Strictly Come Dancing).

Message In A Bottle makes its world premiere at Sadler’s Wells’ West End theatre, The Peacock, from 6 Feb – 21 Mar 2020. To book, call the ticket office on 020 7863 8000 or book online.

A Sadler’s Wells and Universal Music UK production co-produced with Birmingham Hippodrome and The Lowry, Salford. Research and development supported by The Movement.

Audition For a New R&D Dance Project!

Kate Prince, Associate Artist at Sadler’s Wells and Artistic Director of ZooNation Dance Company (Into the Hoods, Some Like it Hip Hop, The Mad Hatter’s Tea Party, Groove On Down The Road) will be auditioning dancers for a new research and development project with Sadler’s Wells on 17 August. 

She is looking for dancers who are charismatic, highly skilled and diverse, whose abilities span more than just one genre of dance, including but not limited to contemporary, breaking, locking, popping, house dance, krump, African dance, lindy hop, swing, experimental and freestyle. Dancers who love to tell stories and feel comfortable doing character work.

This is a pure dance piece and there is no requirement to speak or sing. The R&D period is from Wednesday 4 to Thursday 19 October 2017. All applicants must be available for this period. Audition will be by invitation only and is subject to the requirements above.

Send CV, photo and video link submissions to ellie.hartwell@sadlerswells.com. Please note that without a video link where you can be clearly identified, we won’t be able to invite you to audition. Deadline for applications is noon on Friday 11 August. 

 

Image: Kate Prince, Associate Artist at Sadler’s Wells and Artistic Director of ZooNation Dance Company.

Breakin’ Convention and ZooNation awarded £1m to tour the UK

Sadler’s Wells’ international festival of hip hop dance theatre Breakin’ Convention and ZooNation Dance Company, one of Sadler’s Wells’ resident companies, have together been awarded over £1 million in funding by the Arts Council.

They are among 13 organisations who will receive a total of over £4.8 million from Arts Council England as part of its Strategic Touring Programme, enabling them to tour throughout the UK over the next two years. The funding shows a substantial investment in developing audiences for hip hop dance.

Alistair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, said:“There is no underestimating the growth hip hop as a dance style has been experiencing in recent years, exploding from the streets onto the stage, but also on TV and through fashion and advertising. Its enormous success stems from its ‘each one teach one’ approach to knowledge-sharing and its ability to continuously evolve and develop a highly original vocabulary – a language that is dynamic and current, and speaks to ever increasing numbers of young people.

In the last 12 years, Breakin’ Convention has established itself as a world leader in hip hop dance theatre through its annual international festival at Sadler’ Wells. ZooNation has also been championing the development of hip hop through productions characterised by inventive and captivating storytelling, such as Into the Hoods and Some Like It Hip Hop.”

He continued: “It is great news that the Arts Council has chosen to invest in these projects through their Strategic Touring Fund, which will enable Breakin’ Convention and ZooNation to tour their high-quality work to a number of venues across the UK over the next two years, giving audiences outside London the opportunity to experience hip hop dance theatre, as well as to hopefully discover the next generation of hip hop artists.”

Welcoming the grant, Sadler’s Wells’ Associate Artist and Breakin’ Convention’s Artistic Director Jonzi D said: “This is excellent news for the sector. It allows Breakin’ Convention to support the professional development of hip hop dance theatre even further, providing skills, knowledge and platforms for the plethora of emerging dance crews following in the footsteps of ZooNation, Boy Blue, Southpaw and Birdgang. The lyrical dexterity of UK emcees will now have a space to develop theatrical devices within our Moving Rap workshop strand. Arts Council England has shown commitment to the creative phenomenon that is Hip Hop culture, at a time when peace, love, unity, and fun is much needed.”

Breakin’ Convention has been awarded £562,783 for a two-year project that will see the festival tour throughout May 2016 and May 2017, programming over 400 local artists per tour to perform alongside international artists. The touring activity will be complemented by a professional development programme, pairing up artists and future hip hop programmers. There will be a new spoken word professional development strand entitled Moving Rap and a continuation of the film-makers mentorship programme.

Launched by Sadler’s Wells in 2004 and hosted and curated by Jonzi D, Breakin’ Convention features performances from diverse UK and international companies each year. The festival also sees Sadler’s Wells’ foyer transformed into a performance space with live DJs, freestyle dance jams, graffiti exhibitions and workshops from top international artists.

ZooNation Dance Company has been awarded £499,471 to present a large-scale tour of Into the Hoods: Remixed, a newly revamped version of the award-winning production, throughout the UK from Spring 2016. Performances of the work at regional venues will build on the show’s track record of bringing more diverse and younger audiences into theatres, something that it successfully achieved during previous runs at Sadler’s Wells, the Edinburgh Fringe, Southbank Centre and in the West End between 2006 and 2010.

Into the Hoods became both the first ever hip hop dance show in the West End and the longest running dance show in the West End’s history, with a five month run at the Novello Theatre. The cast of Into the Hoods won the 2009 What’s On Stage Theatregoers’ Choice Award for Best Ensemble Performance. Under the direction of Sadler’s Wells’ Associate Artist Kate Prince, the much-loved show has been updated for 2015 with new choreography, a remixed soundtrack and new designs. Its first performances will take place at The Peacock from 23 October to 14 November, before the show embarks on national tour in spring 2016.

Into the Hoods: Remixed will act as the catalyst to deliver an audience development project, ZooResidence, across England, supporting and encouraging venues and their local partners to build audiences for hip hop dance theatre in new ways. It will include a series of projects for reaching thousands of young people, culminating in the creation of a piece to be performed as a pre-show curtain raiser for the production at each of the five partner venues.

In the production, ZooNation’s trademark narrative hip hop theatre style is used to tell the story of two children who get lost in the ‘hood’ and the surprising encounters and discoveries they make along their way, in what is a witty and humorous contemporary fairytale.

Kate Prince, Artistic Director of ZooNation Dance Company, said: “I think it is a really exciting and bold move for the Arts Council to make such a significant investment in developing audiences for hip hop dance theatre through these two major projects. The chance to work with venues more closely will really release the potential of our work to reach more people and connect new audiences to regional theatres”. 

She continued: “This investment of over £1 million pounds between ourselves and Breakin’ Convention also makes a statement about hip hop dance and its cultural importance and artistic currency. We are over the moon that the Arts Council is supporting us to take our work around the UK and to be part of developing hip hop dance nationwide.” 

Joyce Wilson, Area Director, London, Arts Council England, said: “We are delighted to be able to support Breakin’ Convention and ZooNation Dance Company through our Strategic touring programme; it is a clear illustration of the breadth and quality of work that we value and support. These tours will not only showcase some of the best hip hop dance theatre in the world, but also support the professional development of emerging hip hop dance talent and leaders across England.”

 

Image: Wanted Posse performing at Breakin’ Convention in 2014. Photo: Belinda Lawley