Sadler’s Wells’ pioneering Company of Elders – whose dancers range from 60 to 89 years old – has been pushing the boundaries of dance for over 20 years. The dancers’ powerful performances in the UK and internationally have inspired similar companies to be created around the country, offering more and more people in later life a chance to dance. In this interview with The Elder, Sadler’s Wells’ Director of Learning and Engagement Joce Giles talks about the ageless quality of dance, the power of performance and the importance of challenging perceptions of what people can achieve and do in later life.
When and why was the Company of Elders set up?
The Company of Elders dates back to 1989. Back then, Sadler’s Wells started an arts club for older adults, and through that programme, workshops were held with visiting companies. Out of that, some ad hoc performances were organised for anyone in that group who was interested. That just snowballed, and by 1992 the Company of Elders was formed as a proper group.
The Company of Elders actually predates the current building at Sadler’s Wells, which celebrates its 20th anniversary this year, and really it’s at the heart of how the organisation has grown over the last three decades.
I’ve been in my role at Sadler’s Wells for just over a year and a half, but I had been aware of Company of Elders for many years before that. I have always worked in dance, and the company really captured people’s imagination in the dance sector. When its dancers first performed they were pioneers – nothing else existed like that. Now groups inspired by the company have sprung up around the UK and internationally.
Is the Company of Elders made up of former professional dancers?
There are no professional dancers in the group. They come from a range of different backgrounds; some may have danced when they were younger, and this is a chance to reconnect with that. For others, dance is something they have taken up since retiring. The age range is people over 60 – but within that, there are dancers in their late 80s.
At Sadler’s Wells, we want to present dance in all its different styles, and for that to be reflected in the work that we do with programmes such as Company of Elders. So along with contemporary choreographers, the dancers have worked with hip-hop choreographers and people who work in South Asian dance styles, for example – they are very versatile.
Is there anything different about dance in later life?
Obviously there are some physical considerations, but actually, we ask the choreographers to come in and give a true sense of their work – and not to hold back. Company members are always clear to say if anything needs to be adapted for them – they want to be challenged.
I think one of the main considerations though is communication; speaking up if people have difficulty hearing, repeating information and maybe taking a bit more time to go through the movements.
In dance, we are used to seeing young performers at the height of their physical capability – and that’s fantastic to witness. But I think there’s something that an older performer, non-professional or professional, brings to the stage, that only they can – and that has a different quality. The presence that they bring to the stage is something that audiences find very powerful.
Read the full interview on The Elder website.
Photos: Company of Elders in rehearsal (c) Johan Persson